58th Competition – 2023

Born in Kyoto, Yutaka Sado is currently Music Director of the Tonkünstler Orchestra in Austria, Artistic Director of the Hyogo Performing Arts Center and its resident orchestra in Nishinomiya, Japan, and Principal Conductor of the Siena Wind Orchestra in Tokyo.
Sado continues his tenure as the Music Advisor for the New Japan Philharmonic, before taking up the position of Music Director from the 2023/2024 season. The Tokyo-based orchestra was founded in 1972 by Seiji Ozawa, who serves its Honorary Conductor.
Studied under Leonard Bernstein and Seiji Ozawa, Sado is the recipient of the Grand Prix of the 39th Besançon International Competition for Young Conductors in 1989, and the Grand Prix of the Leonard Bernstein Jerusalem International Music Competition in 1995. Sado’s collaboration with Leonard Bernstein continued and was appointed as Conductor in Residence at the Pacific Music Festival inaugurated by the late Bernstein in 1990 in Sapporo, Japan.
Sado’s career outside Japan started in France, where he was Principal Conductor of the Orchestre Lamoureux in Paris between 1993 and 2010. He has guested with many of world’s leading ensembles including Berlin Philharmonic, Deutsches Symphonie-Orchester Berlin, Konzerthausorchester Berlin, Bayerisches Staatsorchester, Mahler Chamber Orchestra, Leipzig Gewandhaus Orchestra, Staatskapelle Dresden, Tonhalle Orchester Zürich, Orchestre de la Suisse-Romande, London Symphony Orchestra, Orchestre de Paris, Orchestre National de France, Orchestra dell’Accademia Nazionale di Santa Cecilia, RAI Torino, and National Symphony Orchestra in Washington DC.
Yutaka Sado’s many-faceted musical achievements have been documented in more than 50 audio and visual recordings. Tonkünstler Orchestra Label has released over 15 DCs, in-house studio productions and live recordings from the Vienna Musikverein, including “Ein Heldenleben” and “Rosenkavalier-Suite” by Richard Strauss, Anton Bruckner’s Fourth, Eighth and Ninth Symphonies, Joseph Haydn’s “The Creation” and orchestral works by Leonard Bernstein.

© Peter Rigaud / Shotview Artists

Known for his wide range of repertoire and creative programming, Hans Graf is one of today’s most highly respected musicians. Born near Linz in 1949, he studied conducting with Franco Ferrara in Siena, Sergiu Celibidache in Bologna and Arvid Jansons in St. Petersburg. He is Professor Emeritus for Orchestral Conducting at the Universität Mozarteum in Salzburg. He has been appointed Principal Conductor of the Singapore Symphony Orchestra from the 2020/2021 season and Music Director from the 2022/2023 season.
Hans Graf was Music Director of the Houston Symphony, Calgary Philharmonic, Orchestre National Bordeaux Aquitaine, Basque National Orchestra and the Mozarteum Orchestra Salzburg. He has appeared regularly with most major orchestras in North America, including the orchestras of Boston, Cleveland, New York, Philadelphia, Los Angeles, San Francisco, Montreal, Toronto, Detroit, St Louis, Minnesota, Atlanta.
In Europe, Graf has conducted the Vienna Philharmonic, Vienna Symphony, Leipzig Gewandhaus, DSO Berlin, Royal Concertgebouw, Rotterdam, the Dresden, Oslo, Stockholm, London Philharmonic, London Symphony, the Royal Philharmonic and Hallé, St Petersburg Philharmonic and Russian National, the Bavarian, Danish and Netherlands Radio Symphony Orchestras, Budapest Festival Orchestra and many others. He is also a regular guest with the orchestras of Sydney, Melbourne, Auckland, Seoul, Hong Kong.
A frequent conductor at the Salzburg Festival since 1983, Graf has also participated in the prestigious European festivals of Maggio Musicale, Bregenz, Aix-en-Provence, and in the US the Tanglewood, Blossom, Aspen, Grant Park and the Bravo! Vail Music Festivals.
Graf has led many performances at the Vienna State Opera and the opera houses of Munich, Berlin, Paris and Rome, among others. Recent productions include Wagner’s Parsifal in Zurich and Mussorgsky’s Boris Godunov in Strasbourg. In 2014 he was awarded the Österreichischer Musiktheaterpreis for Richard Strauss’s Die Feuersnot at the Vienna Volksoper, where he returned in 2021 to lead Rosenkavalier.
Hans Graf's extensive discography is found on the EMI, Orfeo, CBC, Erato, Capriccio and JVC labels and includes all the symphonies of Mozart and Schubert, the complete orchestral works of Henri Dutilleux (recorded under the composer’s supervision), and the world-premiere recording of Zemlinsky’s Es war einmal. Graf’s semi-staged production of Berg’s Wozzeck with the Houston Symphony won the GRAMMY and ECHO Klassik awards for best opera recording.
For his services to music, Hans Graf was awarded the Chevalier de l'Ordre de la Légion d'Honneur by the French government and the Grand Decoration of Honour in Gold from the Republic of Austria.

© DR

Appointed first associate concertmaster of The Philadelphia Orchestra in 2005, Canadian violinist Juliette Kang enjoys an active and varied career. Previously assistant concertmaster of the Boston Symphony and a member of the Metropolitan Opera Orchestra, Juliette Kang’s solo engagements have included the San Francisco Symphony, l’Orchestre National de France, the Baltimore Symphony, the Boston Pops, the Omaha Symphony, the Syracuse Symphony, and every major orchestra in Canada. Internationally she has performed with the Czech Philharmonic, the Vienna Chamber Orchestra, the Singapore Symphony, the Hong Kong Philharmonic, and the KBS Symphony in Seoul. She has given recitals in Philadelphia, Paris, Tokyo, and Boston. In 1994 she won the gold medal of the 1994 International Violin Competition of Indianapolis and was presented at New York's Carnegie Hall in a recital that was recorded live and released on CD. She has also recorded the Schumann and Wieniawski violin concertos with the Vancouver Symphony for CBC Records.
In 2012 Juliette Kang was again a featured soloist at Carnegie Hall for the visit of her hometown orchestra, the Edmonton Symphony, and that season she made her Philadelphia Orchestra concerto debut with guest conductor Gianandrea Noseda. She is a regular soloist with the Fabulous Philadelphians, appearing in concertos by Barber, Bruch, Prokofiev, Stravinsky, Tchaikovsky, and more.
Juliette Kang has been involved with chamber music since studying at the Curtis Institute of Music. Festivals she has participated in include Bravo! Vail, Bridgehampton (Long Island, NY), Kingston (RI), Marlboro, Moab (UT), Skaneateles (NY), and Spoleto USA. In New York she has performed with the Chamber Music Society of Lincoln Center; at the Mostly Mozart Festival with her husband, cellist Thomas Kraines; and at the Bard Music Festival.
After receiving a Bachelor of Music degree at age 15 from Curtis as a student of Jascha Brodsky, Juliette Kang earned a Master of Music degree at the Juilliard School under the tutelage of Dorothy Delay and Robert Mann. She was a winner of the 1989 Young Concert Artists Auditions, and she subsequently received first prize at the Menuhin Violin Competition of Paris in 1992.

© DR

Also jury member for the preliminaries
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Born in Novosibirsk (Russia), Yulia Kopylova began her musical education in her hometown at the Novosibirsk Special Music School with Prof. Alexey Gvozdev. At the age of 19, she moved to Germany, where she completed her Bachelor studies in Hannover with Prof. Krzysztof Wegrzyn and her master’s degree at the Hanns Eisler Academy of Music in Berlin with Prof. Ulf Wallin. During this time Yulia Kopylova attended numerous master classes with names like, Zakhar Bron, Oleg Krysa, Itzaak Rashkovsky, Kolja Blacher, Shlomo Mintz and Natalia Gutman.
From 2013 to 2015 Yulia Kopylova was appointed principal Concertmaster in the Gustav Mahler Youth Orchestra where she collaborated with conductors such as, Herbert Blomstedt, Christoph Eschenbach, Philippe Jordan, Jonathan Nott and performed in halls like, Vienna Musikverein, the Royal Albert Hall London (BBC proms), the Théâtre des Champs-Elysées, the Concertgebouw Amsterdam and the Salzburg Festival. In 2015 she was awarded a scholarship to integrate the Bavarian Radio Symphony Orchestra Academy in Munich and have played there for several years in the first violin section after. During this time she was also engaged as principal Concertmaster in Orquesta Sinfónica del Principado de Asturias and Orchestra del Teatro Massimo in Palermo. Since 2019 Yulia holds a second Concertmaster position in Sinfonieorchester Basel and plays as a guest concertmaster in orchestras like, Orchestre de la Suisse Romande, Luzerner Sinfonieorchester, Camerata Salzburg and Orchestra della Svizzera italiana. Yulia plays a modern French violin by Patrick Robin.

© Pia Clodi

Born in 1965 in Athens, Alexandros Markeas studied piano and music writing at the National Conservatory of Greece, then at the Conservatoire National Supérieur de Musique de Paris (CNSMDP), where he has taught improvisation since 2003.
His work is marked by his desire to decode and modify the mechanisms of musical perception. He is often inspired by pre-existing music to reinterpret and deconstruct their aesthetic references by creating forms that freely alternate between references and pure sound abstraction. Traditional Mediterranean music, the renaissance repertoire, rock and jazz are an essential source of inspiration for him.
He is also inspired by different fields of artistic expression, such as architecture, theater and visual arts (installations, events, video, web) to find alternatives to the traditional concert and to create particular situations of musical listening. His works are marked by a theatrical mind and by the use of multimedia techniques.
Alexandros Markeas specializes in improvised music and gives numerous concerts as a soloist or in a group. At the same time, he devoted himself to composition. He attended the writing, analysis and composition classes at the CNSMDP with Guy Reibel, Michael Levinas and Marc-André Dalbavie.
For 30 years, his works have been performed in France and abroad by various ensembles such as the Ensemble InterContemporain, the Ensemble Modern, Alter ego, Proxima Centauri, Court-Circuit, l'Itinéraire, TM+, Ars Nova, Musicatreize, Sequenza 93, the Habanera quartet, the Arditti quartet, the Diotima quartet, the Percussions de Strasbourg, the Orchestre National de France and the Philharmonique de Radio France, the Orchestre National de Lorraine, the Orchestre National de Lille.
Alexandros Markeas has been commissioned by the French government, Radio France, and the Royaumont Foundation, and has benefited from numerous residencies: Quartz de Brest (2008), Arsenal - Metz en Scènes and Orchestre National de Lorraine (2014 > 2016), Les Détours de Babel festival in Grenoble (2017), Printemps des arts de Monaco (2019)...
As a pianist, he has been developing for several years the Piano-Cameleon project, which is declined in different improvised or premeditated sequences, based on the idea of the continuous change of the piano's sonority thanks to the use of the preparation of the strings or the electronics in real time.

© Yves Petit

Conductor, soloist, composer, teacher, Jean-François Verdier is presented as one of the most interesting personalities in the musical world.
Super-soloist of the Paris Opera, considered as one of the best European clarinettists, he is a laureate of international competitions in several disciplines in Tokyo, Vienna, Antwerp, Colmar, and Lugano. He has played under the direction of Bernstein, Ozawa, Muti, Gergiev, Salonen, Boulez, Jordan, Dohnanyi, Barenboim, Dudamel, Nelsons... He has been invited by the Concertgebouw in Amsterdam.
He won the Bruno Walter Prize at the Lugano International Conducting Competition in 2001, and it was with the advice of Armin Jordan and Kent Nagano that he began his career as a conductor, which was quickly acclaimed by the critics.
Resident conductor of the Orchestre National de Lyon (2008-10), he has been artistic director of the Orchestre Victor Hugo since 2010, an orchestra with which he has recorded several critically acclaimed CDs (two Chocs Classica, Choc Jazz, Diamant d'Opéra Magazine...) with Karine Deshayes, Sandrine Piau, Isabelle Druet, Paul Meyer, François Leleux, Baptiste Trotignon, David Guerrier...
He is in demand by the great international stages: Opéra national de Paris (for which he has conducted more than 70 performances), Munich BR, Vienna, Madrid, Montreal, Lausanne, Luxembourg, Bern, Biel, Brussels, Mexico City, Salerno, Tokyo, Nagoya, Bolshoi of Moscow...
He is also a guest of the main French national orchestras and operas: Capitole de Toulouse, Lyon, Montpellier, Metz, Bordeaux, Ile-de-France, Nantes, Ensemble orchestral de Paris... He collaborates with Renée Fleming, Susan Graham, Ludovic Tézier, Sandrine Piau, Piotr Beczala, Isabelle Faust, Sergei Nakariakov, François Leleux... and is a member of the jury of international competitions alongside Leonard Slatkin, Jorma Panula, Marin Alsop, or Dennis Russel-Davies. He has been teaching conducting at the ESM de Bourgogne Franche-Comté since 2019.
He composes musical tales for children: a sequel to Peter and the Wolf: The Duck is still alive! (Bernard Friot, Milan), Anna, Léo et le gros ours de l'armoire (Bernard Friot, Actes sud) both performed at the Philharmonie de Paris and Coups de Cœur de l'Académie Charles Cros ; Nuage Rouge (Vincent Cuvellier) performed at the Folle Journée de Nantes, Le Carnaval (gastronomique) des animaux (Bernard Friot, Milan), the children's opera Orphée (Dorian Astor) created by the Capitole de Toulouse in 2019, Svalbard en 2021 (Isabelle Gély). His works have been performed by the Bavarian Radio in Munich, the Dessau Opera, the Capitole de Toulouse, the Rouen Opera, the Strasbourg Philharmonic Orchestra, the Metz National Orchestra, the Lausanne Chamber Orchestra, the Opéra Bastille, the Philharmonie de Paris...
Jean-François Verdier is a Chevalier des Arts et des Lettres.

© Yves Petit

Débora Waldman conducts numerous orchestras in France and abroad.
In September 2020, she will take up her position as Music Director of the Orchestre National Avignon-Provence. On this occasion, she became the first woman to head a permanent French national orchestra. In September 2022, she was appointed Associate Conductor at the Dijon Opera.
Recently, she has been heard with the Orchestre National de France, the Orchestre Philharmonique de Radio France, the Orchestre National de Lyon, the Hamburger Symfoniker, the Staatskapelle Halle, the Johannesburg Philharmonic Orchestra, the Orchestre National de Colombie, the Orchestre National de Lille and the Orchestre Lamoureux at the Théâtre des Champs-Élysées.
In the opera field, she recently conducted Idomeneo at the Opera d'Avignon and Don Pasquale at the Opera de Dijon, where she returns this season for Stiffelio, then in 2024 in Tosca.
In June 2019, she will give the world premiere of the symphony "Grande Guerre" written in 1917 by the French composer Charlotte Sohy (1887-1955), whose forgotten score she has found. This discovery was the occasion for the production of a documentary on its creation, but also for a book "La symphonie oubliée" (published by Robert Laffont), crossed portraits of the composer and the conductor.
Her first CD with the Orchestre National Avignon-Provence, "Charlotte Sohy, Composer of the Belle Époque", was recently released on the new label La Boîte à Pépites / Recording Women Composers.

© Lyohdo Kaneko

Jury member for the preliminaries only
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Jacques Mercier has studied at the Conservatoire National Supérieur de Musique de Paris, where he was unanimously awarded the First Prize of conducting. In the same year, he was awarded the First Prize at the International Competition for Young Conductors in Besançon and was prize-winner of the Fondation de la Vocation.
He has quickly begun an international career. He conducts famous formations : the Orchestre de Paris, the Orchestre national de Radio France, the London Symphony Orchestra, the Philharmonic Orchestra of Stockholm, the Philharmonic Orchestra of Moscow, the Orchestre de la Suisse Romande… Holder of the title of "Souveräner Dirigent" in Berlin, Jacques Mercier also performs at the Salzburg Festival, in Bucharest, Helsinki and Madrid, where he is acclaimed by critics as “one of the best French and European conductors of his generation”.
From 1982 to 2002, Jacques Mercier has been Artistic Director and Resident Conductor of the Orchestre National d’Île-de-France. "Displaying communicative energy and enthusiasm, Jacques Mercier managed to make his formation rise at the first places among French orchestras.” (O. Bellamy in L’Evénement du Jeudi) ; “Jacques Mercier has irrefutably proved his great talent, made of precision and mastery, but also with fire and panache.” (P. Petit in Le Figaro).
For seven years, Jacques Mercier has served as Resident Conductor of the Turku Philharmonic in Finland. This experience has been determining in his way of conducting works by North European composers such as Sibelius whose repertoire he made known in France. But his talent, made of precision, rigour, finesse and extreme sensibility, is also perfect when conducting 19th and 20th French repertoires, including new music for which he is standing up with passion – some creations, including some by Iannis Xenakis, Luis de Pablo, Philippe Manoury et Wolfgang Rihm belong to his repertoire.
Jacques Mercier has proved his curiosity and pertinence when choosing his recording. Bacchus and Ariane and Melodies by Albert Roussel have been awarded the Prize of the Académie Charles Cros, Djamileh by Bizet the Prize of the Académie du disque lyrique. His recording, Le Martyre de Saint-Sébastien by Claude Debussy for RCA, has got the "Choc" from the Monde de la Musique. Among lyrical works, Jacques Mercier conducts above all works from the French repertoire such as Carmen, Faust, Béatrice and Bénédict, Dialogues des Carmélites, Pelléas et Mélisande, Lakmé…
Chosen as the "2002 musical Personality" by the professional Union of dramatic and musical critics, Jacques Mercier was Resident Conductor and Artistic Director of the Orchestre National de Lorraine in Metz until 2017. His first CD with the orchestra, L’An Mil, by Gabriel Pierné was awarded the Diapason d’Or 2007.

© DR

Dong Chao's conducting journey began in 2013 at the Conducting Department of the Affiliated Middle School of Shanghai Conservatory of Music.
Dong Chao has collaborated with some of the prestigious symphony orchestras in China. He has been selected for the National Young Conductor Training Programme, and for two consecutive years, he was chosen to participate in the "Talented Conductors" training program at Shanghai Conservatory of Music.
He serving as an assistant conductor and chorus conductor for various opera productions.
Dong Chao has attended many conducting masterclasses and received guidance from acclaimed masters such as John Nelson, Jorma Panula, Mark Gibson, Varelio Paperi, Ulrich Windfuhr, Yu Feng, Lin Daye, Yang Yang and others. He has been invited to participate in the International Conducting Competition Jeunesses Musicales Bucharest, the Opéra de Nice Conducting Competition, and the Antal Doráti International Conducting Competition in Hungary.

© Yves Petit

Hae Lee was selected for the Korea National Opera Masterclass and as a Fellow at the Cabrillo Festival. He conducted operas such as Le nozze di Figaro, L'elisir d'amore and La Bohème. Hae Lee conducted world-premiers at the Seoul Contemporary Music Festival and Korean Composers Association Festival.
As a cover conductor of Marin Alsop, Hae Lee worked for the São Paulo Symphony Orchestra and American Composers Orchestra at Carnegie Hall. Through workshops, Hae worked with the Richmond Symphony, Fort Wayne Philharmonic, and Baltimore Symphony Orchestra. His mentors include Neeme Järvi, Valentina Peleggi, Mei-Ann Chen, Fabien Gabel, Cristian Măcelaru, Jonathon Heyward, Joseph Young, and Marin Alsop.
Hae Lee holds a Bachelor of Arts in Conducting from the Korea National University of Arts and a Master of Music from the Peabody Institute of the Johns Hopkins University. He will pursue a Professional Studies Diploma at the Mannes School of Music on a full scholarship.

© Yves Petit

Swann Van Rechem has worked with orchestras such as Orchestre National de Metz, MDR-Sinfonieorchester, Jenaer Philharmonie, Thüringen Philharmonie Gotha-Eisenach, Nord Nederland Orkest, Hradec Králové Philharmonic. Passionate about opera, he participated in productions at the Opéra de Nantes, Opéra de Rouen Normandie, and soon at Opera Ballet Vlaanderen. The modern repertoire having also a big place in his heart, he took part in the Lucerne Festival's Conducting Fellowship, where he received guidance from Wolfgang Rihm, Dieter Ammann and Enno Poppe, and conducted numerous world premieres. As assistant conductor, he regularly collaborates with Antony Hermus, or Ariane Matiakh (with the support of the foundation Momentum our future, now, created by Barbara Hannigan). Swann studied percussion at the Conservatoire National Supérieur de Musique de Paris, and conducting at the Conservatorium van Amsterdam. He is currently studying for a master's degree with Nicolás Pasquet and Ekhart Wycik at the Hochschule für Musik Franz Liszt Weimar.

© Yves Petit

From 2021, So Awatsuji is resident conductor of the Nara Philharmonic Orchestra (Japan). Among the orchestras he has conducted are the Zagreb Philharmonic, Hradec Kralove Philharmonic, Janacek Philharmonic, Musikkollegium Winterthur, Ruse Philharmonic Orchestra, Japan Philharmonic and Tokyo Philharmonic. He has also conducted numerous operas such as La Bohème, Yuzuru, Adriana Lecouvreur and Die Zauberflöte.
In 2015, he won the second prize in the Lovro von Matacic Conducting Competition.
So Awatsuji studied at the Kyoto University of the Arts, the University of Music and Performing Arts in Graz (Austria) and Zurich University of the Arts (Switzerland) with teachers such as Nobutaka Masui, Martin Sieghart, Wolfgang Bozic and Johannes Schlaefli. He participated in master classes with David Zinman, Bernard Haitink and Esa-Pekka Salonen. In 2012 he became a fellow of the Rohm Music Foundation.

© Yves Petit

Mattia Bornati began his musical education with the oboe and percussion in Fontenay-sous-Bois and continued at the conservatories of Rueil-Malmaison and Paris.
He trained as a conductor with Nicolas Brochot and then entered the HEM in Geneva for a Master's degree in conducting in the class of Laurent Gay. He followed the advice of the masters Eötvös, Saraste, Veneri and Hindoyan in the framework of masterclasses.
He has been the assistant of conductors Catherine Larsen-Maguire (Orchestre de Chambre de Genève), Laëtitia Trouvé (Oya Kephale), Lucie Leguay (Orchestre de La Garde Républicaine) and is currently the assistant of Raphaël Merlin at Les Forces Majeures. He is regularly invited to conduct various projects with the orchestra Les Clés d'Euphonia, the Edward Saïd Orchestra of Palestine, Les Volques...
In parallel to his activities as a conductor, Mattia Bornati is the Artistic Coordinator of the Orchestras of the Verbier Festival and also continues his projects as a baroque and modern oboist.

© Yves Petit

Born and raised in the state of Amazonas, in northern of Brazil, Hilo Carriel is a pianist and conductor with a strong connection to the vocal and choral repertoire.
In Brazil, Carriel conducted orchestras such as São Paulo Symphony (OSESP), Minas Gerais Philharmonic, Amazonas Philharmonic, among others. In 2019, he received theYoung Talent of the Year award, offered by the jury of Revista Concerto.
Selected as one of the five finalists of 2019 CSO Sir Georg Solti Competition, Hilo was the Conducting Fellow with the Baltimore Symphony Orchestra in 2018/19 and also a recipient of the prestigious Dudamel Fellowship with the Los Angeles Philharmonic in 2019/20.
The youngest member to be elected to the Amazonian Academy of Music, Hilo Carriel holds a Master of Music degree in Conducting from the Peabody Institute of Johns Hopkins University, and a bachelor’s degree in music from the School of Arts, State University of Amazonas, Brazil.

© Yves Petit

Josephine is the Trainee Female Conductor at Opera North 2022-23 and was Assistant Conductor at the Opera de Massy 2020-21. She is studying for an MMus in Conducting at the Royal Northern College of Music with Mark Heron. In 2021 she graduated with Perfectionment in Conducting and Composition from the École Normale de Musique de Paris under Dominique Rouits, Julien Masmondet and Regis Campo. In 2022 she gained the Advanced Certificate in Contemporary Repertoire from the Conservatorio della Svizzera Italiana under Arturo Tamayo.
She has participated in masterclasses with Marin Alsop, Jorma Panula, Sir Mark Elder, and Antony Hermus. She has conducted the Hallé, Philharmonia, Manchester Camerata, Orchestre Victor Hugo Franche-Comté, Dartington Festival Orchestra, Ensemble Variances and Ensemble des Apaches.
She has assisted the BBC and the Royal Liverpool Philharmonic.
Josephine has a BA Hons in Music from the University of Oxford where she was a choral and instrumental scholar. She has also conducted the London Schools Symphony Orchestra at the Barbican Centre where she was the principal trumpet whilst at school.

© Yves Petit

After leaving school at 17, he started music lessons with the aim of becoming a conductor. Since 2017 he has been studying conducting at the Hochschule für Musik Hanns Eisler Berlin with Professor Alexander Vitlin.
In 2023 he made his Berlin debut in Tischlerei at Deutsche Oper Berlin conducting a work by Sina Fani Sani: Difaced
He has assisted numerous conductors at the Berlin Konzerthaus and has recently worked with Christoph Eschenbach. He has participated in numerous master classes, including with Cristian Măcelaru, Sir Donald Runnicles, Christian Ehwald and Siegmund Torp.
In recent years he has conducted the Netherlands Philharmonic Orchestra, Romanian Chamber Orchestra, MAV symphony orchestra Budapest, Pleven Philharmonic Orchestra ,Brandenburgisches Staatsorchester, Karlovy Vary Symphony Orchestra, Philharmonisches Orchester Cottbus and Ionel Perlea Orchestra.

© Yves Petit

Born in Germany into a family of musicians of Romanian origin, he began playing the piano at an early age. He has conducted symphony orchestras such as the Rheinische Philarmonie Koblenz, Würtembergisches Kammerorchester Heilbronn, Sinfonieorchester Aachen and others.
He has worked in theatres such as the Bonn, Aachen, Düsseldorf and Lüneburg opera houses, in productions ranging from Mozart's Cosi fan tutte to Wagner's Siegfried.
He holds a degree in conducting and piano from the Maastricht Conservatoire, where he also completed his master's studies in conducting. He refined his studies with Per Borin and Ovidiu Balan, and took part in various master classes with Jorma Panula and Cristian Măcelaru. He was selected as Conducting Fellow for the Cabrillo New Music Festival in Santa Cruz in 2022. He has worked as assistant conductor with the DSO Berlin, Orchestre national de France, National Radio Orchestra of Romania, Staatskapelle Berlin and since 2020 at the WDR Symphony Orchestra in Cologne.

© Yves Petit

Semi-finalist in the 57th Besançon International Competition for Young Conductors in 2021, Simon Clausse studied conducting at the Conservatoire à Rayonnement Régional de Metz-Métropole in Julien Leroy's class from 2013 to 2020.
A horn player and pianist, he diversified his approach early on by attending analysis, writing, composition and orchestration classes at the Metz-Métropole, Nancy, Paris and Aubervilliers conservatories. He is currently studying conducting at the Conservatoire National Supérieur de Musique et de Danse de Paris (CNSMDP).
His passion for conducting has led him to work in masterclasses, concerts and competitions with conductors such as Mikko Franck, David Reiland, Aurélien Azan Zielinsky, Domingo Hindoyan, Grant Llewellyn and orchestras such as the Orchestre National de Bretagne, Orchestre National de Metz Grand-Est, Orchestre des Lauréats du Conservatoire de Paris, Orchestre des Elèves du Conservatoire de Paris (CNSMDP), Ensemble Intercontemporain, Orchestre Symphonique du Festival d'Arly.

© Yves Petit

Daichi Deguchi was born in Japan, is the 1st-prize winner of the Khachaturian International Competition 2021(Conducting) and was awarded the 2nd prize (no 1st prize was given) at the Kussewitzky International Conducting Competition, also winning the Orchestra Special Prize.
During his activity, Daichi Deguchi works regularly with numerous orchestras, such as Armenian State Symphony Orchestra, Karlovy Vary Symphony Orchestra, Konzerthausorchester Berlin, Tokyo Philharmonic Orchestra, Kyoto Symphony Orchestra, and Yomiuri Nippon Symphony Orchestra.
Additionally, he assisted Vladimir Jurowski at Rundfunk-Sinfonieorchester Berlin in 2021. In 2016 he worked with Japan Operetta Society as assistant conductor.
Daichi Deguchi has attended many master classes, amongst others with Sir Donald Runnicles, Prof. Johannes Schlaefli, Prof. Urlich Windfuhr, Paavo, Neeme and Kristian Järvi and Leonid Grin.

© Yves Petit

The 34-year-old Polish chef, Barbara Dragan since the 2022/23 season is appointed Young Associate Conductor at the Orchestre National de France, where she works with artists such as Cristian Macelaru, François-Xavier Roth, Daniele Gatti, Andrés Orozco- Estrada, Daniil Trifonov, Diana Damrau, Matthias Goerne, Xavier de Maistre, Renaud Capuçon and Nemanja Radulović.
Just in April 2023, Barbara Dragan completed her Konzertexamen at the Hochschule für Musik und Theater in Hamburg. In previous season she was named Conducting Fellow at the Dallas Opera and participated as Conducting Fellow at the Cabrillo New Music Festival in Santa Cruz and the Ravinia Festival in Chicago. She was touring with many orchestras, among others Orchestre National de France, Jerusalem Symphony Orchestra or Arab Youth Philharmonic Orchestra.
Barbara Dragan is a recipient of the Taki Alsop Conducting Fellowship. She is a graduate of the Universität der Künste in Berlin. She began playing the violin at the age of five. While studying the violin and oboe, she took her final exams in Higher Mathematics and Physics.

© Yves Petit

Zhongling Fang is currently assistant conductor of the Shenzhen Symphony Orchestra (China) working under Daye Lin. In parallel, he is completing his master's degree in conducting at the Shenzhen Conservatory of Music.
He has performed with several professional orchestras, such as Prague Philharmonic Orchestra, Berlin Sinfonietta, Moravian Philharmonic Orchestra, United Europe Orchestra and Bucharest Symphony Orchestra. He has participated in masterclasses with conductors such as Alexander Polishchuk, Martin Sieghart, Charles Olivieri-Munroe, Guido Rumstadt or Peter Stark.
Zhongling Fang is an accomplished pianist and has won several awards in this capacity. In 2015 and 2016, he performed Beethoven's Piano Concerto No. 3 and Mozart's Piano Concerto No. 23 with the Naples Youth Philharmonic Orchestra.

© Yves Petit

Lea Katharina Fischer has worked with various orchestras such as Düsseldorf Symphony Orchestra, Rheinische Philharmonie Koblenz, Duisburg Symphony Orchestra, Ensemble Musikfabrik Köln and Orchestra Sinfonica di Milano Giuseppe Verdi.
She is studying orchestral and choral conducting at the Robert Schumann Hochschule Düsseldorf with Prof. Rüdiger Bohn and Prof. Martin Berger, at the Pôle Supérieur d'Éducation Artistique in Paris with Pierre-Michel Durand and Marc Korovitch, and at the Conservatorio Giuseppe Verdi in Milan with Daniele Agiman.
She is assistant to Gábor Hontvári as well as permanent guest conductor with the Junges Philharmonisches Orchester Niedersachsen (JPON). She stepped in at short notice for the performance of Händel's "Messie" in Paris with the Orchestre et Choeur de Saint-Germain-en Laye and was invited back for summer 2023 to perform together with the Russian cellist Misha Quint.

© Yves Petit

Canadian conductor Christopher Gaudreault is a captivating and versatile young artist who is equally at home conducting operas, orchestras, and choirs. He is currently finishing his second of three years as a conductor, pianist, and vocal coach in residence at the Atelier Lyrique de l'Opéra de Montréal.
Christopher is thrilled to be making his Opéra de Montréal conducting debut in May 2024, leading the Orchestre Métropolitain in a performance of Verdi's "La Traviata".
In addition to his formal studies in orchestral conducting and piano performance, he has had the pleasure of working closely with renowned conductors such as Christopher Allen, Nicole Paiement, Nicolas Ellis, and Jacques Lacombe. The summer of 2023 will include engagements as vocal coach and répétiteur at both the Brott Music Festival in Hamilton (Canada) and Opera NUOVA in Edmonton (Canada).

© Yves Petit

Yuta Kobayashi (1997) is a Japanese Conductor. Since the beginning of the 2022-2023 season, he has been the Associate Conductor of the Kanagawa Philharmonic Orchestra. He gained further experience at Yomiuri Nippon Orchestra and Tokyo Philharmonic Orchestra, in the 2021-2022 season as the Assistant Conductor of the Kioi Hall Chamber Orchestra and the Kyoto Junior Orchestra (belonging to the City of Kyoto Symphony Orchestra). He performed at the 21st Music Festival Argerich (Beppu – Japan) in 2019 as an orchestra pianist.
Born in Niigata, Japan, Yuta Kobayashi learned piano, percussion, and viola in early childhood. He won the 1st prize at the 3rd wind and percussion competition in Niigata.
He studied conducting at the Tokyo College of Music as a scholarship student and he was taught by professor Junichi Hirokami. He then studied with professors Tatsuya Shimono, Ryusuke Numajiri, and Ken Takaseki. He participated in conducting master classes with Boris Belkin, Tsugio Tokunaga, and Yasuhiko Shiozawa.

© Yves Petit

GyuSeo Lee first took violin lessons at the age of 5. He studied orchestral conducting at the Seoul National University, in his hometown. He continued his training at the University of Music and Performing Arts in Vienna. He also studied at the Chigiana Music Academy in Siena with Daniele Gatti. His mentors included David Robertson, Marin Alsop, Andrés Orozco-Estrada, Johannes Prinz and many others.
He has conducted Vienna Symphony Orchestra, Prague Philharmonia, Danish Radio Symphony Orchestra and Korean National Symphony Orchestra, to name a few. Recently, he made his opera debut at the Siena International Music Festival in 2022 with Rossini "Il figlio per azzardo".
He has participated in several conducting competitions such as Malko and was recently awarded the 2nd prize at the Caneres International Music Competition (Vienna).
Since 2014, as Artistic Director of the Orchestral Ensemble Seoul, he has conducted various projects, including the complete Beethoven symphonies and piano concertos at the Seoul Arts Center.

© Yves Petit

Artūrs Oskars Mitrevics (1998) is a Latvian conductor and collaborative pianist.
In 2023 Artūrs Oskars Mitrevics conducted the London Symphony Orchestra in the final rounds of Donatella Flick Conducting Competition, and in 2022 Artūrs Oskars Mitrevics made debuts with Latvian National Symphony Orchestra and Professional Wind Orchestra Riga. Recently he has also conducted the North Netherlands Symphony Orchestra and MDR-Sinfonieorchester Leipzig as part of the Weimar Conducting Masterclass with Johannes Schlaefli and Nicolás Pasquet.
Previously Artūrs Oskars Mitrevics has worked with various youth orchestras both in Latvia and abroad – Youth Academy Riga-Rostock Symphony Orchestra, Latvia’s Centenary Youth Symphony Orchestra and others. Currently he is completing his Master’s degree in Orchestral Conducting at Jāzeps Vītols Latvian Academy of Music.
Alongside standard repertoire, Artūrs Oskars Mitrevics has a passion for Latvian contemporary music and has led several premieres of Latvian composers. As a pianist, he actively commits to vocal chamber music.

© Yves Petit

Born in Kyoto, Japan in 1990, Yu Sugimoto studied Conducting at the Hamburg University of Music and Theater under Prof. Ulrich Windfuhr. He conducted various orchestras in Japan, Germany and Italia, like the Kanagawa Philharmonic Orchestra, City of Kyoto Symphony orchestra, Kyusyu SymphonyOrchestra, Symphoniker Hamburg, Philharmonie Baden-Baden, Sttatskapelle Halle, Das Philharmonische Orchester der Stadt Heidelberg, Bremer Philharmoniker, Orchestra Sinfonica Abruzzese. Also he conducted many operas like Die Zauberflöte, "La clemenza di Tito", "Hänsel und Gretel", "Rigoletto", "Alcina", "Oreste" and "Der Kaiser von Atlantis".
In 2012 and 2013, he has received scholarship on the recommendation of Seiji Ozawa and Yuji Yuasa support from the Rohm Music Foundation. Since 2021-2022 season, he is working as a solo-repetitor and conductor at the Theater Bremen.

© Yves Petit

Patrick Tuttle has worked with numerous orchestras including Moravian Philharmonic, Southwest German Philharmonic Konstanz, Joensuu City Orchestra, Jyväskylä Sinfonia, Staatskapelle Weimar, as well as Philharmonic Orchestras of Freiburg, Coburg, and Jena. He has lead scenic performances of Nino Rota's opera "La notte di un Nevrastenico" and Arnold Schoenberg's "Pierrot Lunaire".
Tuttle was born in Bamberg, Germany, where he began his musical journey at a young age. He has served as a substitute clarinetist with the Würzburg Philharmonic Orchestra and has performed as a soloist with the Academic Orchestra of the University of Würzburg. After completing his studies in Music Education, Tuttle studied conducting at the music universities of Würzburg and Weimar with Ari Rasilainen, Ekhart Wycik and Nicolás Pasquet. He has had the privilege of participating in masterclasses with Charles Olivieri-Munroe, Martin Sieghart, and Rüdiger Bohn. Patrick Tuttle is currently studying with Scott Sandmeier and Massimiliano Matesic at the University of Music in Freiburg.

© Yves Petit